In the gardens of the exiled

When one lives in a garden of one’s own creation, be it through absolute necessity, as it was for parents of many active members of the Ukrainian Diaspora, or because you live in that garden by default for generations and have tried to maintain that garden of culture, ethnicity and language, one can not deny that there is something different on the other side of that garden wall. The Great Rusty Wall, as some refer to it as, went up on August 13, 1961 but by November 9, 1989 its molecular bonds which held it together had changed and it completely crumbled by the end of 1990. The Great Rusty Wall was a symbol of the Garden War; it separated two different gardens in which plants grew under very different conditions.

The plants in the garden, tended to by the Good Gardeners of GGs of exile flourished, while those on the other side of the wall were poisoned by a gamut of different afflictions which were not natural but created by an whole string of Bad Gardeners or BGs under the guise of being Russian, but we know that evil knows know ethnic boundaries.

The first of the BG’s was geneticist Leninsky, who twisted the gene pool of the garden introducing a new hybrid Family called Plantus Soveticus, the roots of this plant were kept short, its growth was hampered by a variety of means over time. The political progeny of Leninsky was Stalinsky, who was not a geneticist, but rather a horticulturalist with no training, but nevertheless he decided to impose his methods in various parts of the garden during the 1930s. During this period from five to seven million Plantus Soveticus genus Ukrainiana, perished, of the genus Khazakiana nearly two million, and of the genus Russiana, we are not quite sure, but it could have been close to two million. Stalinsky expanded the massive compost piles which had been created very distant from any others on that side of the garden wall. They were used as a place to relocate the undesirable genus’ which existed amongst Plantus Soveiticus and from 1934 to 1954 as many as 1,053,829 plants withered on those compost heaps.


The garden tended by the GGs in exile flourished as best it could, they had been cut off from the land of Chornozemia, but during particular attempts and defoliation during of the intelligent plant life of the genus Ukrainiana by the BGs for the thirty year period before the wall came down the GGs stood their ground, calling foul to their local garden councils of the planet.

When the Great Rusty Wall finally disintegrated the GGs were not at all prepared, to them the unexpected had happened. The plants they had tended to were of a different breed than those tended to by the BGs. The plants that had grown up in the garden in exile were nurtured to love the lands that they come from, but to a great degree they were and still are naïve. The few plants that did love Chornozemia had become marginalized and the children of the BG’s took over the garden, but without any of the vestiges of the culture, ethnos and language which was theirs. They imported all kinds of things from the West, and often that which had little semblance of culture to the intelligent plant life on the planet.

The progeny of those who tend what was once the gardens of exile fail to realize many of the realities of Chornozemia. They create issues where none really exist. They fail to realize that the defoliation of there brethren through all the means used by the children of the BGs, be they corrupt nitrogen distribution schemes, over irrigation schemes, the hosting of a garden parties for the benefit of a few, and their notion of the enemy being genus Russiana, only become self-evident to those who grew up in the gardens of exile and were repotted for some time in Chornozemia. The tenders of the gardens beyond Chornozemia’s lives are as distant to the realities of that land, with the exception of their genus, as they are with those who live in the lands of the sands or snows.

Chornozemia will always play an important geopolitical role simply due to where it located, how the plants there manage is not up to those from the gardens of exile, nor are they in a position to understand what is going on there. Those from the gardens of exile have become genetically modified plants which can neither absorb nor adapt to the realities of Chornozemia, but the seeds of change must be sought out in all the gardens in which the genus Ukrainiana exists. Those seeds must be able to understand all the intricacies of Chornozemia’s place in contemporary and rapidly changing planet. If they continue to function like those which have been genetically modified, then Chornozemia’s future is bleak, but I believe that those seeds can be found!

Montreal's Ukrainian Festival Organizers have gone astray!

One of the first thing's I received in my e-mail today was about the arrest and detention of Ukrainian historian Ruslan Zabiliy who just happened to working on a piece of history that Moscow and the current Moscow friendly regime in Ukraine would rather wish never existed. UPA or the Ukrainian Insurgent Army. This news came to me from my good friend and film maker Yuriy Luhovy who had worked closely with the detained individual in researching his films. 

This incident, in my opinion in but one of many that will follow as Ukraine tries to rewrite its history in such a way which appeases our younger brother to the north. He is younger but he still won't admit it, just like the alcoholic dealing with his problem, Russia, rather than admitting the real historical facts would rather write its own history, and unfortunately the current government in Ukraine is not Ukraine friendly, in fact they are just the opposite. A problem with this, is that most of the world has been buying into Moscow's version of history since it started calling itself Russia.

About six months ago on a discussion list made up of Ukrainian Canadian Broadcasters, journalists, writers, as well as some bloggers and in the know progressive individuals from Ukraine I publicly stated that we should all exercise caution regarding individuals who will be coming to Canada, or tried contacting us for various reasons. In addition I mentioned that while we could and should recognize the institution of Ukraine's presidency it did not mean that we had to accept who is president.

The one thing I ask anyone reading this to remember the following:

• The current president of Ukraine and his entourage along with their financial backers in Donetsk are here to stay for a long time whether we like it or not;
• This administration doesn't give a rat's ass about anything culturally Ukrainian, its as simple as that;
• They have already started to find ways of marginalizing the use of the Ukrainian language through interesting public relations campaigns and will continue to do so;
• Freedom of speech and civic liberties are rapidly on the decline in Ukraine;
• Remember diplomats are not your friends and not necessarily friends of the Ukrainian-Canadian, Ukrainian-Australian or any diaspora community they are going to do what their Ministry of Foreign Affairs tells to them to tell you, as the represent the regime in power and not necessarily the will of Ukrainians who have some cultural esthetics and values.

While those are just a few things I hope you will remember while reading on and putting things I am relating to you the reader, in this light and no other. This is the way we must understand a contemporary Ukraine right now, without doing so does not do any justice to those who have always fought to preserve Ukrainian culture and language and those who died in trying to ensure it was free of foreign occupiers over the centuries.

Now in the light that I have put forward I will now get to the issue which is bothering me. As most of you know, I host a short segment on a radio program called Nash Holos, Our Voice in English. It is not by simple coincidence that I host this segment nor is it because someone pays me money to do so, but is because I have certain values of what it is to be Ukrainian, and that the world really knows too little about Ukrainian culture both in a historical sense and in a contemporary sense. Unfortunately, there are many Ukrainians who live beyond Ukraine's borders who do not understand the contemporary issues which face Ukrainian society today, and part of that is its culture.

As I was preparing my segment for broadcast I had decided to cover a topic that was close to home in the very literal sense in that it is an event which is taking place in my home town of Montreal in the form of the Montreal Ukrainian Festival(hereafter MUF). It's a festival that has its roots in a time that I was not in Montreal, but living in Ukraine, with Ukrainians. At a time when a friend of mine, often referred to as a muckraking journalist, by the name of Georgiy Gongadze, disappeared and his headless body was found in the woods some one hundred kilometers away from Ukraine's capital Kyiv. I lived through the events of a contemporary Ukraine and I worked with a number of different musicians on different projects, so I am not a stranger to contemporary Ukrainian culture.

As I went through the list of performers the MUF has lined up for this weekend there was something that struck me as rather odd, but there were a few other things that bothered me but those are the topic of a completely different blog entry and not a topic which I have not touched on before. As I went town the list of the performers everything was quite copacetic until I hit the name of one individual, but there were others that really have no place in a Ukrainian Festival. The individual who caught my eye is a young man by the name of Andrij Svirsa so I read the little blurb about him:

“Andrij Svirsa is a graduate of the Donetsk Conservatory (voice). He has toured in China and twice received awards at international jazz festivals. Svirsa is capable of singing in a wide range of styles: from operatic arias and jazz stylings to pop and folk. He is even capable of performing female opera parts with his falsetto. Andrij has given solo concerts before large audiences many times. He is also a composer, lyricist/poet and performs his own works.”

Following that little blurb was a link to visit his website. When I got there I was appalled for two reasons, and if I were on the organizing committee I would have had to question what does this individual have to do with Ukrainian culture. Firstly, his site espouses not a single element of Ukrainian culture; secondly, there is not a single recording of his that is in Ukrainian. Were the organizers of the MUF blind, and if so why? Then there was the most obvious which I was able to determine from his PR blurb. He is from Donetsk.

No I have nothing against Donetsk as a place in fact I have been there a couple of times. However, where there is a lot of money there is even more corruption and those who have come to power in Ukraine will do everything in there power to discredit anything Ukrainian including the disapora. Having worked in the cultural sector in Ukraine for a good portion of my time living there I consider myself to be abreast of the comings and goings, so I decided to do a quick search on this Mr. Svirsa. In all of Google his name appeared all but two significant times. The first was as a performer at the MUF website and the second on a page of the Ministry of Foreign Affairs of Ukraine, how he was performing at the Independence Day Ceremonies at Ukraine's Embassy in Ottawa. Would you not find it odd, if this individual was worth anything in Ukrainian cultural matters and only to appearing twice in a Google search?. I know I found it extremely odd. Why the Festival's organizers didn't is beyond me? In fact they wouldn't have found a single mention of if it were not for his these two events. And that was for a search for his name in Ukrainian. In English a couple of his videos pop up on YouTube, but the only thing that tells me is that he understands shameless self promotion, and searching for his name in Russian just confirmed the SSP route.

While I have put the question to the MUF organizers, what obligation do they have to this ANDY character? What was their criteria for selecting him? What is it that is so intrinsically Ukrainian about him? Is it because he can sing the Ukrainian standards in his own particular way? Such songs such as Ukraina, Ridna Maty Moya, Znaydy mene, Chornobryvtsi, Ty podobayesh meni, as the MFAU so demonstratively states on their website or is there something we don't know about him? Because he clearly doesn't seem to portray being overtly Ukrainian. There are countless questions that come up and any one who tries to bring up the BS that it is to bridge East and West I lived in Ukraine long enough and I don't buy it.

Now there is another angle which is a little bit more taboo and some will not like me for it, but let's call a spade a spade. Traditionally, Ukraine has been a nation state with Christianity as its back bone. Unfortunately the traditional churches have not been doing that well in Ukraine or anywhere in the world for that matter. I would hear it quite regularly on visits to Ternopil from Kyiv. “What is with all these sects?” “Why are there so many Jehovah's Witnesses around now?” The answer was always the following: “The traditional church is not doing what it should be doing and all these sects as you call them are picking up the slack.”

While many may not believe it, but religion is big business and this is even more of a case where there are people who are trying to find their way in the morass of discombobulated life in post-Soviet Ukraine. So you may ask, what religion here has to do with the MUF. It doesn't but it clearly has something to do with our new friend from Donetsk who goes by the name of ANDY. As it turns out hidden behind ANDYS Company site which has no vestiges of anything Ukraine and is very Soviet in its nature, is a site which I am sure is not sanctioned by the traditional religions in Ukraine, it seems to be more of an Evangelical type of Church, but in short it is no secret that hiding behind a religious organization is a great way to launder money. Take a close look at the name of the previous URL. Do you see the word “exclusive”. The question is for whom is this exclusivity? There are all kinds of videos on that page, yet Mr. ANDYS main page is as barren of much of anything, particularly anything that is even closely being related to Ukrainian culture.

While, I am still waiting for answers from members of the MUF's organizing committee, I am not waiting to get the word out. The principles of being a Ukrainian Festival have been trodden upon, be it by design of some individual or group of individuals or due to the lack of principles which should guide the organizers of such a festival. Now given that the only place that I found mention of Mr. Andriy Svirsa other than on the MUF website was the MFAU website, I am starting to think that the illegitimate government of Ukraine stands behind pushing this piece of trash into Montreal. I have no question of his singing abilities, don't get me wrong, but Ukrainian cultural values do not exist in any form whatsoever.

I welcome thoughts and commentary on this post, as well as some explanations from the organizers of the Montreal Ukrainian Festival who seem to have been misguided on what is Ukrainian and what someone tells them is Ukrainian. Mr. ANDY is no more Ukrainian in his relationship to Ukrainian culture, because he of where he is from, than I am related to native North American culture.  So people, wake up and smell the coffee. You and your committee have been duped!